I was privileged to be in the historic African Methodist Episcopal Church at Fanshawe Pioneer Village recently, listening to two accomplished artists bring two remarkable Black Canadian lives into the light. Denise Pelley, accompanied by Stephen Holowitz, held the fifth event in the Fanshawe Village series—and what an extraordinary homecoming it was.
Not long ago, the AME Church stood on Thames Street in London, largely forgotten. Built around 1848, it had served London’s Black community as a place of worship, gathering, and resistance—a sanctuary for people who had escaped slavery and found freedom in Canada West. The plaque that marks its history tells of John Brown’s rumored visit in 1858, when the church became a space where conversations about abolition and freedom took form. For over a century after the congregation moved to a larger brick church on Grey Street, the building was someone’s home. Its original purpose faded from public memory, buried under layers of wallpaper and time.
Presented by Steve Robson |Model created by Steve Robson
Overview
The Lego Village Project involves creating a mobile, movie-like set for photographing 1/64 scale model cars. The base of the project draws on various building designs from different towns and cities to create a fictional town. The end result is a compressed town showcasing a place with many elements of a working, living village.
How It Started
The project began with a single building structure, built simply to see how a Lego building would scale in appearance next to Hot Wheels and Matchbox cars. The test worked out well. At that point, there was no real plan to create a full village. Over time, plans developed into a complete village layout, involving a number of drawings covering both the overall plan and individual building designs. The end result is a very functional-looking village.
July 9th LEGO event by Steve Robson at the Glencoe Library
Setting Up the Village
Setting up the village involved several key decisions.
The first major consideration was compressing the scale of both the buildings and the space between property lines. Building scale was determined by the size of the plates the Lego design team produces. A 5″ × 5″ plate in 1/64 scale measures out to 26.5 feet. A 10″ × 10″ plate measures out to 53 feet. This is based on the 1/64 scale standard of 1″ equalling 5.3 feet.
The smaller blocks used to create walls carry a rough cost factor of about $7.00 per square foot — approximately 10 cents per block — averaging out to 70 blocks per square foot. This is based on a standard 4-stud brick.
Building height is determined by the style of the structure and its interior ceiling height. Using the 1″ = 5.3′ ratio, divide the height of a real-world measurement (for example, an 8-foot ceiling) to find the correct exterior wall height. Doors, windows, and other details follow the same method and can be made to look properly proportioned at this scale.
Some building designs are reduced further in size to allow for a tighter layout. If every building were built to fully correct scale, the village would contain only a fraction of the elements included in the current layout.
The Compressed Design
The compressed design approach allows for a modular layout that can be set up in any configuration. One of the primary reasons for this building style is to use the structures as photographic props. The slight downscaling can be minimized with this purpose in mind — a wide-angle lens creates the appearance of a larger environment than actually exists, while the remaining space still provides a believable sense of a living space.
These designs can be built at various levels of detail. Fully detailed structures work well for complete display setups, while simpler versions — recreating just home and storefront facades — make excellent display backgrounds for a die-cast car collection on a shelf, reflecting the era of the vehicle being showcased.
Exploring the History of Small Towns
Through LEGO Scale Modelling
Presented by: Steve Robson and Paul Macdonald
Thursday, July 9, 2026
Glencoe Library
Colour
An important element is the use of colour in the design. A colour-coding system developed naturally during the build. Browns and greens were used in older building designs, while brighter colours go into newer structures. Combinations of these colours bridge the gap in between. Some business-themed models use colour patterns to create a corporate-looking feel.
A challenge can arise when materials run short during a build. If a strong colour theme is needed, purchase enough bricks to complete the design before starting. That said, budget is always a factor. Creative use of colour can fill out a design in interesting ways, adding a unique visual character that reflects your own vision for the scene.
Engineering the Structures
Engineering Lego structures is different from real-world construction. In effect, you are building with oversized blocks — similar in proportion to the concrete blocks used in parking lots and highway dividers. This affects the look of the finished model. Walls will be noticeably thicker, and small details will read as larger items at real-world scale. This is one of the things to accept when working with Lego as a building material.
For example, the top section of a house wall will be thicker than realistic in order to maintain structural strength. Roofs have been left off the buildings intentionally. This allows interior details to be seen and also provides a convenient pickup point when moving the buildings. The result is a slightly surreal, dream-like quality to the structures.
Keep in mind that although Lego is durable, it can break when dropped. These models should be handled like eggs — carefully.
Since these models need to travel, there is a balance to strike between detail and durability. There are limits to what can be achieved depending on the bricks being used, and some experimentation is required to find what works best for your build.
Reality vs. Illusion
One interesting question this project raises is: what is real, and what is fake?
Take a close-up photograph of the model village. The scene looks like a street, complete with cars and streetlights. At first glance, it reads as real. Only on closer inspection do the small details reveal the scale. At what point does the photo become “fake”? And yet, it isn’t truly fake — real physical objects are being used in a real scene.
This kind of setup is rooted in the practical special effects techniques of older films, and in some cases newer ones as well. It also opens a door to exploring the history of building design. An older version of a real town or city could be recreated to study its structure and character from a particular era — from a simple model to a complex and detailed layout.
Why Do This?
The last element worth considering is the reason to take on a project like this: it keeps the mind active.
Unlike AI, which is increasingly present in daily life, the process of sorting physical pieces, researching house designs, and studying architectural history creates a quiet space away from the world of technology. It can help in recreating memories of the past — either personal memories or general history from before your own time.
Building at a scale that must feel proportionally believable — using die-cast cars and trucks as reference — helps develop spatial thinking. Placing everything into a village setting helps in understanding how a working economy is structured: the business district versus the residential areas, the roadways, the flow of a community. The road of imagination is an important part of the planning process.
Hopefully, you end up with a design you are proud of.
— Steve Robson
About Steve Robson
Born in London, Ontario in 1961, Steve has spent a lifetime pursuing strong interests in photography and model building across multiple mediums. By combining these passions, he has found a unique way to recreate scenes full of personal memory and historical meaning — in three-dimensional, brick-built form. This project has transformed a long-held idea into reality, and Steve’s goal is simple: bring out the inner child in everyone as a great way to keep the mind active.
Organized by: Steve Robson & Paul Macdonald
Contact: Steve Robson, Creator | Courtney Joris, Glencoe Library
Napier: One of the first public buildings constructed in Napier was St. Mary’s Anglican Church. The land for the church, on a hill north of the village, was donated by Charles Preston. The exact construction date varies with the source, but the church was completed around 1843.
The oldest remaining church in Middlesex County, St. Mary’s Chapel of Ease holds an annual Decoration Day Service in June. It’s a day I try not to miss, since it’s an opportunity to enter a primitive pioneer building that’s usually closed.
As Video Curator, you will help us celebrate and preserve our local history through video. You’ll play a key role in building a digital legacy that future generations can learn from—while empowering others to share their own stories.
🕒 Time Commitment: Approx. 2 hours/week 💲 Compensation: Volunteer (unpaid) 📍 Reports to: Programming Circle, Glencoe & District Historical Society
Encourage storytelling as a cultural activity in the community
Show people how to record and share family stories
Edit Zoom presentations and other videos for clarity and flow
Promote the recording of stories for future generations
Build relationships with local storytellers, community groups, and regional heritage organizations
Skills & Qualities
Video editing (basic to intermediate skills preferred)
Comfortable with YouTube and/or video publishing tools
Friendly, curious, and community-minded
Strong interest in storytelling, oral history, and local heritage
Ability to work independently and collaboratively
Our Aim
To encourage our community to document our stories and work through video—and to make the Glencoe & District Historical Society’s presentations, events, and oral histories more accessible through YouTube.
Let’s Share Our Stories
To everyone: We have the tools to capture stories and share them online. Let’s give it a try. At the very least, please write on the back of the family photographs.
The Glencoe & District Historical Society is recording stories that help the younger generation understand how they got here… whose shoulders they are standing upon.
If you need some inspiration, check out YouTube. There are sad stories; happy stories, and wise stories. We are recording OUR stories. Stories told by our people, young and old.
Posted by Mary Simpson, Programming, May 2025. mary@glencoehistoricalsociety.ca. Please reach out to learn more and help direct this work.
Glencoe & District Historical Society– Annual General Meeting for 2025 – 2026
President’s Report, Mary Simpson
Prepared for the AGM April 15, 2026– 7:00 p.m. Nineteen in attendance. The ARCHIVES, 178 McKellar St., Glencoe
Founded in 1978, the Glencoe & District Historical Society (G&DHS) was established to preserve and share the rich history of Southwestern Ontario, with a particular focus on the Glencoe area.
We are supported by a dedicated group of officers, directors, and managers—those remarkable volunteers who have taken on defined roles. Their commitment is the foundation of our work. General Manager Harold Carruthers and Vice President Norm McGill keep it all going, providing steady operational oversight, community presence, and mentorship to volunteers.
Mary Simpson’s report, Outgoing President
As I complete my two-year term as President, I do so with deep appreciation for the strength of this organization and the people who sustain it. I am pleased to be moving into the role of Past President, and to welcome Norm McGill as incoming President.
When I stepped into this role, I had a few simple hopes. I wanted the Historical Society to feel like a safe and welcoming place—where people could show up as themselves, and where we support each other in the work we care about. I wanted us to be inclusive, to open the door wider, and to recognize that everyone here has something valuable to contribute.
I also saw this Society as part of something bigger. Not just one organization, but part of a whole network of heritage work happening across our district—our museums, our libraries, our local historians, our community groups. Over the past couple of years, I think we’ve taken real steps toward connecting those dots, building relationships, and working more collaboratively.
At the heart of it, my goal has been to help us grow as a community-based organization—one that is rooted in the principles of community development. That means sharing leadership, supporting volunteers, encouraging initiative, and trusting people to step forward and take on meaningful roles. And we’ve seen that happen. Thank you, everyone—for your time, your energy, and your commitment to this community and its history.
This work doesn’t belong to any one person—it belongs to all of you. I’m very grateful for the chance to serve as President, and I’m looking forward to continuing in a supporting role as Past President. Norm, I know you’ll do a wonderful job, and I’m here to support you and the team however I can. – Mary Simpson
Date & Time: Wednesday, March 18, 2026 – 7:00 p.m. Location:The Archives, Glencoe Guest Speaker: Mark French Hosted by: Glencoe & District Historical Society
On March 9, 1819, representatives of the Chippewas of the Thames First Nation and the British Crown signed what became known as Treaty 21—the first of three written versions of the agreement now commonly called the Longwoods Treaty. This treaty set in motion a process that still shapes southwestern Ontario today.
The Longwoods Treaty covered land north of the Thames River, stretching from Strathroy and Komoka in the east to Oil Springs in the west, Bothwell in the south, and Watford in the north. While the second version (1820) repeated the same boundaries, the third version (1822) listed the land as 580,000 acres—a “rounding up” that continues to raise questions about accuracy and fairness.
Unlike earlier treaties, such as one that exchanged two million acres south of the Thames for a one-time payment of goods worth less than $5,000, Treaty 21 introduced the concept of an annuity. For the Longwoods Treaty, the Crown promised $2,400 annually, in perpetuity. While the payment is still made today, it goes into Canada’s consolidated revenue fund rather than directly to the First Nation.
Historical records also show that Indigenous leaders came to negotiations with their own vision for the future, including land for additional reserves, a blacksmith, and support for animal husbandry. Yet none of these provisions were written into the treaty.
Language and worldview also played a role in shaping outcomes. The treaty text, rooted in British legal nomenclature, could not be translated directly into Anishinaabemowin. The very concept of drawing lines on the ground to buy and sell land was foreign to the First Nations worldview, which saw the people as stewards of the land rather than owners.
As Mark French explained, Treaty 21 is more than a historical document—it is a window into the complex relationships, misunderstandings, and negotiations between Indigenous peoples and the Crown. It also raises questions about what was truly agreed to, and how responsibilities to the land continue to this day.
Members of the Glencoe & District Historical Society recently joined a live online presentation by Sarah Walker on the art and practice of gathering oral histories. The session was both practical and inspiring, reminding us that capturing memories is not simply about recording sound—it is about creating space for storytelling, trust, and preservation.
We learned that an oral history interview is closer to being a thoughtful radio host or podcast interviewer than a researcher reading questions from a page. Preparation matters greatly, but so does allowing conversation to unfold naturally.
Why Oral Histories Matter
Oral histories capture:
Personal experiences not found in written records
Community traditions such as foodways, farming practices, celebrations, and daily life
Emotional tone, humour, and memory that enrich archives
Stories that might otherwise be lost within a generation
Mary Simpson’s Reflections on a Live Presentation by Sarah Walker, Head of Reference Services, North Dakota State Archives. Reference: State Archives Facebook page
Published in the April 2025 issue of the Middlesex Banner.
Orval Shaw, a name that once echoed through over 40 cities, towns and countryside of Ontario, was more than just a petty criminal. He was a symbol of defiance, a master of evasion, and a figure who captured the public’s imagination. I have drawn his story from historical accounts and newspaper reports, revealing the life of the man known as the “Skunk’s Misery Bandit.”
I first found out about Orval while researching other local history topics in the area of Hespeler, Ontario where I lived. During my research Orval’s name turned up several times as he was in Guelph, Hespeler, Idylwild and Puslinch during his escapades.
I was amazed that nobody had researched his life previously. One of the main challenges was finding out more about Orval’s private life and the lack of photos of him. I was lucky to find a distant relative of Orval’s’ who supported my work.
Eventually I decided to do comprehensive research of Orval, and I am very pleased with the book that came out of that research.
Prepared by the Executive members for the members of G&DHS. For the AGM April 16, 2025.
Preserving Our Family Histories for Future Generations
Our ancestors—whether Indigenous, settler descendants, newer generations, or recent Canadians—have all contributed to the rich history of our communities. Each of us carries important stories that deserve to be told. Historians seek the truth, striving to understand what really happened and how people have worked together over time. We share a common past, woven together through generations. Consider this: each of us has two grandmothers, four great-grandmothers, eight great-great-grandmothers, and so on—each with their own unique stories waiting to be remembered.
Every family needs both storytellers and story keepers. The Glencoe & District Historical Society encourages families to record their histories—write down stories, label the backs of photographs, and document the details that future generations will cherish.
Some families are fortunate to collaborate with authors like CJ Frederick, who transform family histories into engaging historical novels. Others use platforms like Remento or StoryWorth to compile family memories into beautifully bound books that can be passed down for generations. Online genealogy tools such as Ancestry.ca have also made it easier than ever to trace our roots.
Many families bring their archives and precious artifacts to the Historical Society for safekeeping. In today’s digital world, we recognize what a treasure trove these collections are. While digitization allows for easy sharing, it does not guarantee long-term preservation. Whether in digital or physical form, historical records are always at risk. By working together to protect and document our shared past, we ensure that future generations will have access to the rich stories that shape our community.
These are our aims for 2024/2026:
Connect with membership and build close, working relationships with all our local groups, our regional heritage groups, and the elected reps and staff people of Southwest Middlesex and County of Middlesex.
Ramp up our outreach and channels. Mobilize an IT circle to support improved communication and decision-making.
Digitize and record our stories, curate, preserve, upload, and share. Figure out better platforms for working together. Facebook groups don’t cut it.
Learn the tools offered by dynamic governance, and the flourishing business canvas
Bring our elders and youth together. Tell all the stories. 10,000 years of local history. Place making.
Build a cultural network to link history with tourism. Nurture and support the arts in heritage and cultural communities.
Lead the interactive Barn Quilt Trail project, which features an alliance of four organizations plus FedDev Government of Canada, the funder. Link our cultural assets to local tourism strategies and investments. Work with Middlesex county tourism.
Advocate for county archives. Interpret history along the Thames river Watershed arts corridor
Invite skilled local people and support their history passions. Build teams around peoples’ interest. Assign domains. Delegate authority.
Update and revise our bylaws. Build a closer working relationship with the Ontario Historical Society.
Build out our organizational structure. We have a great foundation in our bylaws featuring managers. Build a circular hierarchy to support workers, facilitators, leaders, and admin support.
Engage the branding dream team to do an agile branding process for G&DHS, the interactive Barn Quilt Trail, and our various groups and projects that need a brand
Figure out how to tell our amazing stories, make sure they are preserved and interpret the amazing history of Ontario Southwest, that we want to share with family, friends, community, travelers, guests, youth, new, Canadians, refugees, children, all of the people that make up our Rural society people.
Stories about the Kilmartin community who established Burns Presbyterian Church in the hills of North Mosa.
Jennifer Grainger reporting from Mosa Township: On Sunday, March 30 at 2:00 pm I attended a rare event, an historic church celebrating an anniversary. At a time when many rural churches are closing, it’s a pleasure to see one commemorating the 190th anniversary of the congregation.
The March 30th event wasn’t an actual church service, mind you, but a celebration of the surrounding community and the role Burns Presbyterian played in it. The occasion, more historical than religious, was entitled “A Stroll Through Time.” Actors portrayed fictional, but plausible, characters from the church’s past, including an early Scottish settler, a later Dutch arrival, the last Precentor, a member of the women’s auxiliary, etc. Sometimes amusing and often poignant, the stories of former congregants were well written and allowed the modern audience to imagine life in Middlesex County, Ontario in the Good Old Days.
The Glencoe and District Historical Society welcomed members, volunteers and special guests for a Christmas open house on Thursday afternoon, December 12, 2024 to celebrate the season and the Society’s many partnerships.
Jim May and Harold Carruthers stand beside the Masons display. The Glencoe Masons ‘went dark’ in 2024.Tony Bruinink shares the story of the ‘Cookie with the Hole’ and the humble beginnings of Hollandia BakeryRead more →
For over two decades, Ken Willis has dedicated himself to preserving Wardsville’s history, curating a collection donated by residents that tells the story of Wardsville and its people. The Wardsville Museum is a cherished part of our community that houses a collection of artifacts and stories that showcase Wardsville and Mosa’s rich history. The museum depends on community support to preserve its treasures.
Ken Willis, the long-time curator of the Wardsville Museum, shares his personal story and an appeal for support.
Please denote your donation to benefit the Wardsville Museum and a tax receipt will be issued. Every dollar helps preserve Wardsville’s heritage for future generations.
Your support means the world to Ken and the entire Wardsville community. Thank you for helping us keep our history alive!
What happens when the story gets twisted? The story keeper and the storyteller got their wires crossed. Bunny, the story keeper, decided to tell a different story about her son. And the extended family all colluded. Eventually the son found out his true story – ‘the last man standing’. Tom Wilson discovered he is a descendant of mohawk warriors, hunters and chiefs …but he was denied the truth until he was in his 50s. You can see his artwork at the TAP Centre of Creativity until December 21st. Now he gets to tell his story – his story can be viewed here on film.
Everyone has a story. And all our stories are compelling and amazing. Why not write yours down for your descendants? Our children want to know about their ancestors and our ancestors want us to tell their stories. Truth preferred – the truth as we know it and have experienced it. Story keepers and story tellers. – Mary Simpson
Art by Tom Wilson
TAP Centre for Creativity presented Mohawk Warriors, Hunters and Chiefs, a solo exhibition of the artwork of Tom Wilson tehohåhake (two roads). Tom is a musician, writer and visual artist based in Hamilton, Ontario. Tom’s art exhibition ended December 21, 2024
Great evening with James Carruthers, the story keeper; CJ Frederick, the story teller and author; and Patrick, the story champion. We packed the Archives and hosted a few people via zoom as well.
Stories ripple all around us, if only we’re willing to hear them. In 2012, CJ first learned of Ellwyne Ballantyne and the astonishing relationship he forged with two strangers after reading a short newspaper article about the dedication of an unusual tree to a long-dead soldier from World War One. With obligations to work and family filling her time, she wasn’t yet ready to hear his story. It took a global pandemic, with the prospect of lockdowns and unexpected forced time at home, to open her ears, mind, and heart and be ready to explore the roots of Ellwyne’s story that took place more than a century before.
August 21, 2024: Well over 100 visitors, including members of the Glencoe and District Historical Society, neighbours, community members and John Deere enthusiasts from far and wide, gathered at the home of Dave McEachren on Olde Dr. on Wednesday evening, August 21.
After self-guided tours of his outdoor displays, Dave spoke to the crowd explaining that, at age 10, he had first become involved in the Glencoe Fair farm toy competition. He recalled buying his “first toy that he didn’t play with” from Tips. Following the advice of his uncle, he chose to focus on one thing to collect and he chose John Deere. His focus grew from toys to signs, memorabilia, tractors and other equipment.
Having worked at the local John Deere dealership, Dave said he became fascinated with the history of the man named John Deere who was born in 1804. A blacksmith who found himself in debt, John Deere moved from Vermont to Illinois where he discovered and began making self-scouring steel plows in 1837. In 1847, Deere moved to Moline, Illinois where he built a factory, soon making over 100,000 plows a year. His son, Charles Deere, got his business degree and truly made the company what it is today. The business, now known world-wide, grew to produce other implements and gradually moved into making tractors in 1918.
McEachren shared the history of the company and some trivia before opening the door to his impressive indoor museum McEachren Collection at Forty-87, featuring everything from toys to John Deere literature. Historical Society past president Ken Beecroft thanked Dave for sharing the story of John Deere’s life and his fascinating collection.
The McEachren Collection @ Forty-87 ; As a 10-year old boy, Dave witnessed a few fellow neighborhood farm boys displaying their collections of farm toys at the Glencoe Fair. It was that day that he decided to stop “playing in the dirt” with his toys and start collecting them instead. More than a few decades later the dream of opening his own museum to share his ever-growing John Deere collection has come to light.
The McEachren Collection @ Forty-87 includes over 40 real tractors, thousands of farm toy models, and tens of thousands of pieces of memorabilia and sales-related literature. There will be something of interest for everyone, from local dealer history to samples of equipment you may never knew existed.
Presented to the Appin Memorial Day gathering August 1, 2000 by Jim May, whose family had a long association with Appin Cemetery. Jim’s first recollection of the cemetery was a phone call in the early 1950s: “Could my Dad come with his truck to help collect up stones for the cemetery gates?” This presentation tells the history of the Appin Cemetery, Appin, Ontario, Canada
As part of an annual commemoration of area cemeteries, Glencoe & District Historical Society (G&DHS) organized a presentation and community walk at the Appin Cemetery. Prayers, dedications, singing, and community conversation were key parts of the afternoon.
Date & Venue: Wednesday, April 17th, 2024, at the Archives, 178 McKellar Street, Glencoe.
Attendance: A solid turnout of 30 members, with all executives present except President Ken Beecroft.
Opening: Vice President Mary Simpson initiated the meeting at 7:00 PM, welcoming members old and new.
Remembrance: A moment of silence was observed for the late Lorne Munro, a member for 20 years.
Business as Usual: The minutes from the previous year’s AGM for the year 2022/2023 were approved without issue, and discussions moved smoothly to current matters.
Financial Health: Treasurer Marilyn McCallum presented a detailed financial report and budget for the upcoming year, which were both accepted unanimously.
Membership Milestone: Harold Carruthers announced a record membership count, reflecting the society’s ongoing relevance.
Engaging Programs: Program Director Mary Simpson introduced upcoming events, including a talk by local author C.J. Fredericks.
Election Excitement: Nominations for the new executive team were made and approved smoothly.
Dynamic Presentations: Members shared updates on various projects, showcasing the society’s diverse activities.
Closing: The meeting concluded at 8:50 PM, setting the stage for the incoming executive team.
Report for the Glencoe & District Historical Society
Date & Venue: Wednesday, April 17th, 2024, at the Archives, 178 McKellar Street, Glencoe.
Attendance: A solid turnout of 30 members, with all executives present except President Ken Beecroft.
Opening: Vice President Mary Simpson initiated the meeting at 7:00 PM, welcoming members old and new.
Remembrance: A moment of silence was observed for the late Lorne Munro, a member for 20 years.
Business as Usual: The minutes from the previous year’s AGM were approved without issue, and discussions moved smoothly to current matters.
Financial Health: Treasurer Marilyn McCallum presented a detailed financial report and budget for the upcoming year, which were both accepted unanimously.
Membership Milestone: Harold Carruthers announced a record membership count, (over 80 members) reflecting the society’s ongoing relevance.
Engaging Programs: Program Director Mary Simpson introduced upcoming events, including a talk by local author C.J. Fredericks.
Election Excitement: Nominations for the new executive team were made and approved smoothly.
Dynamic Presentations: Members shared updates on various projects, showcasing the society’s diverse activities.
Denise Corneil reported on the alliance formed by Glencoe & District Historical Society, Creative Communities, barnquilttrails.ca, the Chippewa of the Thames cultural group, and EXAR Studios to build a story telling app to enhance the Barn Quilt Trails, a grassroots arts movement.
Harold Carruthers noted the 100th anniversary of the death of “The Sage of Ekfrid” Peter McArthur. There will be an interesting event on Father’s Day, June 16th at 1:00 p.m.
Norm McGill conducted a Show and Tell in which 8 people participated.
Closing: The meeting concluded at 8:50 PM, setting the stage for the incoming executive team.
Looking Ahead: With new leadership in place, the society is poised for another productive year.
It was a damp day July 15, 2023 for this year’s Tartan Days but people were coming and going at 8:00 p.m. at the Archives. It was a festive atmosphere all day long until things wound down after 3:00 p.m. At 1:00 p.m. Mayor Allan Mayhew and Deputy Mayor Mike Sholdice opened up proceedings attended by 43 people.
A short history of the following was shared by members of G&DHS:
200 years since Ekfrid Township were incorporated (1821) – Marilyn McCallum
200 years since Mosa Township was incorporated – Ken Willis
170 years since early days of Dundonald (Glencoe) building homes and businesses along the rail line (1853) – Harold Carruthers
125 years since the Glencoe Town Hall was built (1898) and the cornerstone was laid.
150 years since the Incorporation of the Town of Glencoe in 1873. – Harold Carruthers
45 years since the Glencoe & District Historical Society was established in 1978. – Lorne Munro
Also: 100 years since the Glencoe Library was built by the Carnegie Foundation (1923).
60 years since Quad County school and Mosa Central School opened at Pratt Siding (1963)
Harold Carruthers showed the time capsule that is being prepared, similar to what was recovered from the cornerstone of the old Glencoe Town Hall when it was demolished in the early 1960s. It’s been 125 years since the Glencoe Town Hall was built (1898) and the cornerstone was laid. If you have any ideas what should be included, let us know.
Funny coincidence: next month at The Blyth Festival Theatre, a new play called the Chronicles of Sarnia is premiering and starring our very own Mark Crawford, actor and playwright. Check it out: here is the plot:
WORLD PREMIERE. Written by Matt Murray; Directed by Miles Potter
Passionate, retired history teacher Erin has convinced the City of Sarnia to create a 100-year time capsule for future generations to open. She organizes a town-wide meeting for community input, with a replica of the capsule itself, ready to momentously unveil.
But in spite of homemade Nanaimo bars, only her husband, a department store employee, and a young woman who is there for… complicated reasons, show up. Oh, and the janitor.
Refusing to reschedule, Erin, undaunted, takes this tiny group in hand and sets about distilling the essence of, well, of Sarnia.
