By Mary Simpson
I was privileged to be in the historic African Methodist Episcopal Church at Fanshawe Pioneer Village recently, listening to two accomplished artists bring two remarkable Black Canadian lives into the light. Denise Pelley, accompanied by Stephen Holowitz, held the fifth event in the Fanshawe Village series—and what an extraordinary homecoming it was.
Not long ago, the AME Church stood on Thames Street in London, largely forgotten. Built around 1848, it had served London’s Black community as a place of worship, gathering, and resistance—a sanctuary for people who had escaped slavery and found freedom in Canada West. The plaque that marks its history tells of John Brown’s rumored visit in 1858, when the church became a space where conversations about abolition and freedom took form. For over a century after the congregation moved to a larger brick church on Grey Street, the building was someone’s home. Its original purpose faded from public memory, buried under layers of wallpaper and time.
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