What happens when the story gets twisted? The story keeper and the storyteller got their wires crossed. Bunny, the story keeper, decided to tell a different story about her son. And the extended family all colluded. Eventually the son found out his true story – ‘the last man standing’. Tom Wilson discovered he is a descendant of mohawk warriors, hunters and chiefs …but he was denied the truth until he was in his 50s. You can see his artwork at the TAP Centre of Creativity until December 21st. Now he gets to tell his story – his story can be viewed here on film.
Everyone has a story. And all our stories are compelling and amazing. Why not write yours down for your descendants? Our children want to know about their ancestors and our ancestors want us to tell their stories. Truth preferred – the truth as we know it and have experienced it. Story keepers and story tellers. – Mary Simpson
TAP Centre for Creativity presents, Mohawk Warriors, Hunters and Chiefs, a solo exhibition of the artwork of Tom Wilson tehohåhake (two roads). Tom is a musician, writer and visual artist based in Hamilton, Ontario. Tom’s art exhibition ends December 21st. I
Musically he is known for his work with the bands Blackie & The Rodeo Kings, Junkhouse and Lee Harvey Osmond, the latter receiving a 2020 Juno Award for the album Mohawk.
Wilson’s memoir, Beautiful Scars: Steeltown Secrets, Mohawk Skywalkers and the Road Home, in which he reveals the impact of discovering his Indigenous heritage at the age of 53, became a national bestseller. He was appointed as a Companion of the Order of Canada in June 2023 for, “his multifaceted contributions to the arts in Canada, notably as an iconic musician, as well as for his advocacy of Indigenous communities in Canada.”
Decades ago he began dedicating more of his time and energy to his second passion, painting. Painting has become a way for him to connect with his Mohawk identity and convey his feelings on the injustices experienced by Indigenous peoples. The exhibit includes Fading Memories of Home, an installation piece by Tom located in TAP’s LAB203 Gallery. The idea for the installation with accompanying video and sound recording was seeded during a family dinner with Jane Lazare, Tom’s biological mother. She recalled a traumatic experience from residential school when the grade five teacher had asked the room of Indigenous students to look at those around them, and then told the class these would be the last Indians they would ever know.
For more about the artist and his projects visit
