What happens when the story gets twisted? The story keeper and the storyteller got their wires crossed. Bunny, the story keeper, decided to tell a different story about her son. And the extended family all colluded. Eventually the son found out his true story – ‘the last man standing’. Tom Wilson discovered he is a descendant of mohawk warriors, hunters and chiefs …but he was denied the truth until he was in his 50s. You can see his artwork at the TAP Centre of Creativity until December 21st. Now he gets to tell his story – his story can be viewed here on film.
Everyone has a story. And all our stories are compelling and amazing. Why not write yours down for your descendants? Our children want to know about their ancestors and our ancestors want us to tell their stories. Truth preferred – the truth as we know it and have experienced it. Story keepers and story tellers. – Mary Simpson
Art by Tom Wilson
TAP Centre for Creativity presents, Mohawk Warriors, Hunters and Chiefs, a solo exhibition of the artwork of Tom Wilson tehohåhake (two roads). Tom is a musician, writer and visual artist based in Hamilton, Ontario. Tom’s art exhibition ends December 21st. I
Musically he is known for his work with the bands Blackie & The Rodeo Kings, Junkhouse and Lee Harvey Osmond, the latter receiving a 2020 Juno Award for the album Mohawk.
Wilson’s memoir,Beautiful Scars: Steeltown Secrets, Mohawk Skywalkers and the Road Home, in which he reveals the impact of discovering his Indigenous heritage at the age of 53, became a national bestseller. He was appointed as a Companion of the Order of Canada in June 2023 for, “his multifaceted contributions to the arts in Canada, notably as an iconic musician, as well as for his advocacy of Indigenous communities in Canada.”
Decades ago he began dedicating more of his time and energy to his second passion, painting. Painting has become a way for him to connect with his Mohawk identity and convey his feelings on the injustices experienced by Indigenous peoples. The exhibit includes Fading Memories of Home, an installation piece by Tom located in TAP’s LAB203 Gallery. The idea for the installation with accompanying video and sound recording was seeded during a family dinner with Jane Lazare, Tom’s biological mother. She recalled a traumatic experience from residential school when the grade five teacher had asked the room of Indigenous students to look at those around them, and then told the class these would be the last Indians they would ever know.
Reverend Enos Montour (1898-1985) was a United Church minister and writer from Six Nations of the Grand River Territory.
Over the course of his retirement, Rev. Montour wrote a collection of stories about Mount Elgin Industrial School at the time he attended (ca.1910-1915). Mount Elgin is one the earliest United Church-run Indian Residential Schools and was located on the Chippewas of the Thames First Nation. With the help of Dr. Elizabeth Graham, Montour finished and titled his book Brown Tom’s Schooldays.
With no publisher in sight, photocopies were made and distributed to family members in the early 1980s. This important book is difficult to find today, so Professor McCallum, worked with the University of Manitoba Press, Dr. Graham, and Montour’s two granddaughters Mary I. Anderson and Margaret Mackenzie, to issue a new edition.
By Mary Simpson and Denise Corneil. Featured in the Middlesex Banner.
The Barn Quilt Trail Movement, which started in Ohio, USA, has blossomed into a colorful journey across North America, thanks to the vision and dedication of individuals like Donna Sue Groves, now deceased. Inspired by her love for quilts and barns, Groves initiated the movement in 2001 when she painted the first quilt square on her family’s barn in Adams County, Ohio.
In Canada, the movement found roots in Temiskaming, Ontario, in 2007. Bev Maille, Marg Villneff, and Eleanor Katana spearheaded a project to paint 200 quilt squares, adorning barns and historic landmarks across the region in time for the International Plowing Match 2009. This initiative not only added vibrant colors to the landscape but also attracted tourists and boosted economic development.
Wardsville, Middlesex County, Ontario, joined the trail in 2009 when Denise Corneil’s mother, Eileen, returned from the U.S. with a barn quilt brochure. Denise, along with a team of volunteers, stitched a story quilt commemorating Wardsville’s founders, Mr. and Mrs. George Ward, for the village’s 2010 Bicentennial celebration. This project revitalized the community and became a testament to the power of preserving local heritage.
The movement continued to flourish in Ontario. With support from the Sand Plains Community Development Fund, over 100 quilts were created, each telling stories of settlement, community building, and rural life. Barn quilt trails spread up and down the roads of Middlesex, Elgin, Oxford, Norfolk, and Brant Counties in 2011.
Here in Middlesex, women living along Longwoods Road and the community of Chippewa of the Thames, worked side by side to plan two trails explaining how the War of 1812-1814 affected the lives of women, children, and families. The winter of 1813 was particularly bad.
Trail of Tears- Family. Located in the community of Chippewa of the Thames
The result was the Trail of Tears Barn Quilt Trail, a collection showcased on Chippewa of the Thames locations, and a trail stretching along Longwoods Road from Delaware to Thameville – plus two beautiful quilts and many new and enduring friendships. These trails and many more trails across Canada are curated at barnquilttrails.ca.
In 2013, all major barn quilt trails in Ontario were curated on one website, barnquilttrails.ca, supported by the Ontario Trillium Foundation. This initiative aimed to provide guidance and encouragement to communities starting their own barn quilt projects, ensuring the movement’s sustainability and growth. This website continues to be curated by volunteers and now showcases barn quilts across Canada.
As barn quilt trails spread across Canada, the United States, and around the world, they became more than just colorful displays; they became a way for communities to share their stories and preserve their heritage.
Today, as new projects like those in South Bruce and Osgoode Township emerge, the legacy of the Barn Quilt Trail Movement lives on. Denise Corneil, Wardsville, along with a dedicated team, remains committed to supporting and promoting these initiatives, ensuring that the colorful journey across North America continues to thrive for generations to come.
Some community barn quilt projects start the planning process with a theme and a story quilt. In 2009, Wardsville started up with the War of 1812 theme. Eleanor Blain and Sue Ellis, seasoned quilt makers, devised a plan to engage people of all skill levels in the quilt-making process.
With the assistance of local historian Ken Willis, who provided valuable insights into the Wards’ history, the quilt committee traced the Wards’ journey from establishing a settlement along Longwoods Road to enduring the trials of the Battle of the Longwoods and the ensuing accusations of treason. Thirty quilt blocks were meticulously selected to depict key moments in the Wards’ lives, ensuring that Mrs. Margaret Ward’s contributions were honored too.
The quilt-making process was a labor of love, with countless hours spent selecting fabrics, cutting shapes, and stitching together each block. Ellis and Blain invited community members, both experienced quilters and novices, to lend their hands to the project. The quilt frame at Beattie Haven Retirement Home became a hub of activity as individuals gathered to contribute stitches to the communal creation.
The quilt telling the story of George and Margaret Ward being stitched at Beattie Manor retirement home.
When the George Ward Commemorative Quilt was unveiled at Wardsville United Church in May 2010, it elicited gasps of awe from the crowd. The quilt’s was entered into the Group category at the 2010 International Plowing Match Quilting Competition in Shedden,where it claimed second prize.
Barn quilts are eight-foot square (and larger) painted replicas of actual fabric quilt blocks installed on barns. Barn quilts draw attention to Canada’s disappearing rural landscapes, timber frame barns, and the family farm. Each barn quilt tells a story and draws attention to unmarked historical places.
They can be scattered through the county mounted on beautiful barns (like Huron County), or they can create a themed route, leading visitors from one site to the next.
Tourists are Interested in our local history
With the aging baby boomer cohort, there is a lot of interest in nostalgia and history. There is a growing recognition that tourists are interested in our local history too.
The Canadian federal government is investing in rural and remote tourism. The tourism industry is realizing what barn quilt enthusiasts always knew. Statistics Canada shows that tourism provides billions of dollars in revenue and accounts for 10% of local jobs in rural (non-metro) areas. A federal spokesperson said that “Tourism can diversify and strengthen the economic base and viability as well as safeguard local culture, language and heritage. Businesses benefit from increased income from direct sales of homegrown and locally made products. Visitors want to participate in authentic Indigenous experiences, and 62% of Indigenous tourism businesses are in rural and remote areas.”
Louise Long applies masking tape prior to painting. Three coats. (Photo by Dave Chidley)
And so the barn quilt movement continues to spread. Go to barnquilttrails.ca to find the trails in Middlesex County and southwestern Ontario. Embark on a journey through time and space. This isn’t just tourism; it’s a love letter to the land, a celebration of heritage, and a testament to the power of community.
The Glencoe & District Historical Society is thrilled to launch a speaker series that delves into the captivating world of prehistory, sparked by the remarkable discovery of a mastodon tooth in our very own community.
Glencoe, ON. October 17, 2023. A good crowd, both in person and online, took in the first meeting of the fall for the Glencoe and District Historical Society on Tuesday evening, October 17. Guest speaker for the evening, Larry Cornelis, took guests on a journey from the time that this area was covered by an ice shield.
Over the centuries, after being a tundra, the area became part of a boreal forest. Some 4,000 to 6,000 years ago, deciduous forests and savannas developed. It was an open landscape, maintained by the First Nations population through fire and by the herbivores that roamed freely. Native land care influenced forest development until the Spaniards arrived in the 1490s-1500s, bringing disease that travelled rampantly across North America. At that point, there were an estimated 30-million people on the continent.
However, 90 per cent of the population was depleted by the time the French and English arrived, which resulted in forest and old growth cover. Pioneers settled in the early 1800s, by which time there was a deep dark forest which they assumed was always there.
By 1860, 65 per cent of local forests were gone and, by 1910, up to 90 per cent of forests were depleted. Cornelis lamented about the hardship to wildlife due to the loss of forest cover and habitat. Referring to the various blights which are defoliating trees, he noted that once we lose something, it’s very hard to get it back. He ended his presentation sharing his amazement and tips in regard to the Carolinian Forest zone.
Refreshments were served as Cornelis autographed copies of his book, “Trees, Forests and Nature in Southwestern Ontario.”
Report by Marie Williams
Larry was born in Sarnia Ontario but spent most of his years at the family farm north of Wallaceburg along the North Sydenham River where his love of nature developed. Larry is a certified Horticulturist, Conservationist and Naturalist. He has been involved with local nature and conservation organizations for 35 years including Lambton Wildlife, The Sydenham Field Naturalists, Ontario Nativescapes and Ontario Nature to name a few.
