Glencoe Archives – Amy, great great granddaughter of Mrs. John “Alberta” McFarlane of R.R. #4, Appin, arrived Tuesday with her great grandmother, Caroline Gough, and grandmother, Betty Ann Gough, to deliver the Bertie Fonds. Here is Amy, a fourth year Western student headed into Library and Archive Science, descibing the significance of these scrapbooks.
This generous donation reminds us how essential it is to care for our family archives. These homegrown collections deserve professional preservation, cataloguing, and digitization so that families, genealogists, and historians alike can continue to piece together the stories that define who we are.
L-R Back – Gerry Cross, Norm McGll, Ken Beecroft, Amy, Harold Carruthers, Marilyn McCallum. L-R Front: Caroline Gough, Betty Ann Carr. Read more →
When Ron McRae first began researching how to build a cedar strip canoe, it was during the COVID outbreak and at the urging of his son, Steven. Ron had recently retired and he and his wife, Linda had purchased two plastic kayaks. They enjoyed getting out on the water, but Ron found the seating position painful on his lower back. So he began researching canoes.
“I found Bear Mountain Boats in Peterborough,“ Ron recalls. “They sell cedar-strip canoe kits and have all these resources for amateur builders. I contacted them, hoping to register for a workshop with Ted Moores, the founder of the company and the man who wrote Canoecraft, the definitive how-to book for canoe builders. But his wife told me Ted was now in his seventies and had given up his in-person courses. She then said something that stuck with me: ‘Why don’t you buy the book, read it, and call me back if you still think you can do it?’”
So he did.
And he could.
And he did.
Ron ordered his first kit, which came with all the essential parts: carefully milled cedar strips in a range of colours from dark brown to nearly white, ash gunnels, deck pieces and seats and hardware. The key to a sound, straight tracking hull is the molds which shape it. Ron decided to purchase laser cut molds which were perfect, rather than risk cutting them by hand with a jigsaw. He chose a design that balanced form and function= something stable, not too long and suitable for beginners.
“I picked the Freedom 15 design,” he says. “It’s easy to paddle, good for two people or as a solo. I thought it would be a relatively easy build and perfect for novice paddlers like Linda and me.”
“I built that first canoe in about six months and really enjoyed the process. Linda and I have been exploring Southern Ontario paddling opportunities in it for the past three years and we seldom go out on the water without a comment on the beauty of our cedar strip canoe.”
As our Uber approached the stately manor house at Grimston Park, a historic North Yorkshire estate about 25 minutes west of York, the size of the property immediately struck us. The sprawling 2,500-acre estate was a far cry from our quaint 200-acre family farm in Ekfrid Township near Melbourne, Ont.
But surprisingly, we felt right at home.
Along with my parents, Debbie and Alexander, we had travelled to this far-flung county to visit this rather impressive place because our ancestor James Alexander (1824-1895), my three-times great-grandfather, once lived, worked and worshipped here. (Though he likely arrived here via Scotland by horsedrawn coach, not electric car.)
Dec 6, 2025. The Archives, Glencoe – Donation and provenance provided by Kathleen Scott, great grand daughter, St. Thomas, Ontario. Received by Mary Simpson and Norm McGill.
This collection of items belonged to the McAlpine and Smith families of 3528 Oil Field Road, near Glencoe, Ontario. At the center of the family story is the marriage of Rebecca Smith and Alexander McAlpine, who were married on April 12, 1899. Their illustrated marriage certificate, preserved inside Alexander’s family Bible, is one of the key artifacts in this collection.
Rebecca and Alexander lived on the family farm on Oil Field Road. After Alexander’s death, the property was eventually purchased by Jim Schieman, and the McAlpine family maintained a warm friendship with the Schieman family for many years afterward. Several items in the collection reflect this long community connection.
Also included are photographs and records connected with the Zavitz, Schieman, and Peters families, who were neighbours and later stewards of the original McAlpine farm. A wedding photo of Peter Schieman’s son is part of this grouping.
Rebecca and Alexander lived on the family farm on Oil Field Road. After Alexander’s death, the property was eventually purchased by Jim Schieman, and the McAlpine family maintained a warm friendship with the Schieman family for many years afterward. Several items in the collection reflect this long community connection.
These artifacts—Bibles, hymnals, books, and photographs—together illuminate more than a century of rural family life in Southwest Middlesex, documenting marriages, migration, faith, work, and community connections passed down through generations. Thank you Heather for entrusting these treasures to the Glencoe & District Historical Society.
Tracing a Journey of Faith: Author Maria Moore shares the migration history of Old Colony Mennonites and her own family’s story during a presentation hosted by the Glencoe Historical Society.
The Old Colony Mennonite story stretches across continents and centuries—a journey shaped by faith, identity, and the ongoing search for a place where religious convictions can be lived without interference. This history, and its enduring impact, was the focus of a recent presentation by author Maria Moore at the Glencoe Presbyterian Church, hosted by the Glencoe & District Historical Society.
Contributions by Brian Huis and Gregory Childs. Edited by Mary Simpson.
On Sunday, July 27, 2025, the Simpson Cemetery in Southwest Middlesex came alive with memory, history, and community spirit. Over 50 descendants, neighbours, and friends gathered under the shade of the massive White Oak “heritage tree” for the annual cemetery memorial hosted by the Glencoe & District Historical Society (GDHS). This year a group of Simpson descendants, Micheline Champagne-Johnston, Wanda Simpson, Wendy Bestward, Jan Simpson, Dennis Simpson, Mary Simpson, and Brian Huis, joined in to give the event an interesting twist.
Cemeteries, particularly in rural Ontario, have long been places of both remembrance and reflection. Their park-like settings provide green space, cultural continuity, and a sense of belonging. This year’s memorial carried on the tradition of visiting and honouring one local cemetery each year.
Cemeteries are not only about the past; they are living classrooms and gathering spaces that remind us of who we are and the legacies we carry forward. – Brian Huis
Honouring Nicholas Bodine, War of 1812 Veteran
The central feature of the 2025 memorial was the recognition of Private Nicholas Bodine (1788–1885), a War of 1812 veteran buried in Simpson Cemetery. Bodine served in the 2nd Company, 1st Regiment of the Norfolk Militia and fought at the Battle of Lundy’s Lane on July 25, 1814—one of the war’s bloodiest encounters.
Nicholas’ service with the Norfolk Militia is perpetuated by the current Reserve Army Regiment, The 56th Field Artillery Regiment of the Royal Canadian Regiment of Artillery (56 FD), headquartered in Brantford. The Government of Canada awarded several War 1812-15 battle honours: ‘Detroit’, ‘Niagara’, ‘Queenston Heights’, ‘Defence of Canada 1812-15’, some of which, if not all were likely fought by Nicholas. The Norfolk Militia was also involved with the skirmish at the McCrae House near Chatham.
Born in Pennsylvania, Bodine came to Upper Canada in 1811, married Charlotte Sovereign, and farmed 50 acres in Mosa Township. His long life of 97 years was remembered in the Glencoe Transcript obituary of 1885, which praised his loyalty, faith, and wide respect in the community.
Glenn Stott and son, Brad Stott, stand attention to honour Nicholas Bodine, September 27, 2025Read more →
I am at a bit of a disadvantage writing about a man I never met. Those who remember him will each have their personal remembrances, that I know nothing about, but wish I did.
I have a hard time using the term “Grandfather” to describe this man. The name “Bill” comes easier and I will use it as I relate information about him. To a lot of people, Bill Edwards was “Stubbles from the Farm” in the person of “Claud Hopper” the central character in this farm based series.
The UTMRS— the Royal Scots —are more than skilled re-enactors; they are devoted stewards of local memory and dedicated community builders. Under the leadership of committed champions like Glenn Stott, they have brought the history of the Battle of the Longwoods to life for countless residents and visitors alike.
The Longwoods Memorial Service, held each March, is a vivid example of their impact. For decades, the story of the March 4th, 1814 skirmish was largely forgotten. In the 1980s, when my mother, Betty Simpson, noticed a solitary wreath placed at the federal monument near our family home, she discovered it was the Royal Scots who had revived this commemoration. Their dedication inspired local neighbours and organizations—including our Historical Society—to get involved and ensure the memory of those who fought and fell is never lost again.
The Royal Scots’ efforts extend beyond a single memorial service. They have taken on the ambitious Longwoods Heritage Weekend, an undertaking that draws families, students, and history enthusiasts from far and wide. Through authentic re-enactments, educational demonstrations, and engaging storytelling, they make our shared past accessible and meaningful for new generations.
Moreover, the UTMRS’s leadership and volunteer spirit have rippled outward. Champions like Glenn Stott were early supporters of the Canada Barn Quilt Trails project—encouraging community heritage work far beyond the battlefield. Their members give countless hours in costume and behind the scenes, sharing history with honesty, passion, and respect for the land and peoples connected to these stories.
Their work has even inspired film. The 2017 documentary by Barbara Urbach and Crocodile Productions is a testament to how the UTMRS bring history alive in both intimate, human ways and grand, dramatic moments on our historic landscapes.
In every sense, the Upper Thames Military Re-enactment Society are true keepers of our community memory. Their dedication ensures that stories like Lieutenant Patrick Graeme’s sacrifice—and the broader heritage of the War of 1812 in our region—continue to inspire reflection and understanding.
For these reasons, the Glencoe & District Historical Society wholeheartedly endorses the Upper Thames Military Re-enactment Society for the Governor General’s History Award. They richly deserve this recognition for their outstanding contribution to community history and heritage education.
There is so much more we could add. Please do not hesitate to reach out to us to learn more about their wonderful community work. It’s so much fun to work with them – they never say ‘no’ when we ask for a re-enactor to attend an event – no matter how small or modest the event is.
George Ward – the founder of Wardsville and for whom the town is named – had an impressively interesting life that took him from his native Ireland and, as part of his military service, to many parts of the burgeoning British Empire. He ended up in Southwest Ontario, retired from the army and established an inn at Paint Creek (now Wardsville). He survived – just- the American invasion of 1813, and suffered, in addition to the loss of his property, the accusation of treachery due to his confused involvement in the Battle of Longwoods. Nevertheless he lived to the ripe old age of 87, and established a family that cherishes their ancestor to this day.
The connection to St John’s Anglican is through the oak altar table and reredos, seen here in the chancel under the stained glass window, and which memorialises George Ward and his immediate family:
Zooming in the altar table reveals the memorial plaque:
Windows on the past Part 3 St James Anglican Church, Wardsville by Bill Simpson
St James Wardsville was torn down in 1942 after the foundations were fatally undermined by improvements to the adjoining Hagerty Road. Sadly, there are no known pictures of the interior of the church, and we have only an image of the exterior to let us know how it looked.
The design looks very similar to that of St John’s Glencoe, with the exception that the belltower is offset to the side of the entrance rather than where the entrance porch is shown. This explains how the reredos (wooden screen in the chancel) fit so snugly into the chancel at St John’s when it was moved there. (I am writing another post about this memorial reredos and altar table.)
It was noted in an Anglican News article that St James had many beautiful ornamental and memorial windows, but we have no pictures of them.
But, remarkably, a small part of one of these windows was discovered by Wilson Bowles while renovating his house on Talbot Street and was given over in to the care of Ken Willis, the Wardsville Historian. Ken speculates that this fragment was rescued by Abraham Linden, who occupied the house previously.
It was in the year 1839 that John Strachan became the first Bishop of Toronto. When he received this appointment, his diocese covered the land area now known as Southern Ontario.
The Rev John Gunne was licensed ‘To perform the office of Travelling Missionary’ by the Bishop, for the Townships of Zone, Euphemia, Brooke, Ekfrid and Mosa on June 30, 1845. On one Sunday of each month he would ride his horse from Zone Mills (Florence) which was his headquarters, to hold services in Wardsville, likely in private homes until a church building was erected.
The first official parish to be formed was Wardsville, Glencoe and Newbury, also in 1845. About the same time, land was given to the Church of England, for the purposes of a church building, by Dr. Abraham Francis. (This land, 102 acres, was on the south Part of Lot 20, Range one North of the Longwoods Road.) A parsonage was subsequently built on this property but the year is not known.
Lots 18 and 19, south of Church Street, were obtained by the Church Society of the Diocese of Toronto by a Bargain and Sale agreement with William Hatelie, et al, on August 22, 1849. This was a year or two after a wooden framed church building had already been constructed on the lot. This is known from a letter penned by Bishop Strachan on May 8, 1848, to Hatelie and the Churchwardens of the Church of Wardsville. He wrote, gentlemen: I have the honour to acknowledge your Memorial of the 2nd instant, in which you state that you have erected a church at Wardsville, Township of Mosa at considerable expense, but that since the erection of said building, you have only had divine service in it every third Sunday. This building served a congregation of approx. 150 members until the very early 1870s when it fell into disrepair.
On April 5, 2025, Carrie Jeffery conducted a workshop on capturing oral histories. We had members of our community, visiting members of other heritage groups, and members of our own historical society in attendance. The engaging and interactive talk was followed by an informative presentation that showcased the various aspects of modern record-keeping that are now accessible for ancestral storytelling. Left to right: Donna Lynam, David Campbell, Carrie Jeffery, Susan McWilliam. Mary Simpson, the president of our historical society, also presented.
L-R: Donna Lynam, David Campbell, Carrie Jeffery, Susan McWilliam.
Imagine for a moment the mystery of your history.
By Carrie Jeffery. Published in the March 2025 issue of Middlesex Banner’s ‘Archive Alley’
Personal storytelling can be both fun and provide new perspectives on how we came to be. These stories can challenge our understanding of the past and give a voice to people who are often left out of traditional historical records: the everyday people that played a role not just in our own lives but also in the communities we live in that they helped shape.
With the help of today’s technology, we can translate an afternoon visit with our elders into a published collection of stories that honour their lives and their place in history.
They get to relive their younger days while we either transcribe them ourselves or even utilize voice memo software to transcribe them for us automatically!
In doing this now while this aging generation is still here, we are able to ask questions like “What year would that have been?” and “Why did you do things that way?” before it’s too late. We can learn about the passions and values they may have held that were similar to our own and what shaped their career or other interests. We can witness and capture the changes that have occurred in just one or two generations.
Marie Williams: A large crowd packed into the Glencoe and District Historical Society Archives on Wednesday evening, March 12, 2025. Following announcements, a brief membership report and some unfortunate technical difficulties, Society president Mary Simpson introduced the evening’s guest speaker, Glencoe native and author Daniel Perry.
Perry spoke about his newest work, a non-fiction memoir focussed on his own research into the life of Thomas Gardiner and Gardiner’s connection to the hamlet of Cashmere in the former Township of Mosa.
Born in 1774 in Ireland, Singleton Gardiner sailed for New York State in 1804. He moved to the Talbot Settlement in 1816 and to Mosa Township in 1825. He built a mill in 1834 on the site of what became Cashmere.
His brother Thomas Gardiner, born in Ireland in 1767, sailed for New York in 1804 and arrived in Upper Canada in 1807. Perry outlined charges laid against Thomas Gardiner which were subsequently dismissed, the connections between Thomas Gardiner and John Parker Jr., tales from the War of 1812, his years serving as a teacher, disputes over land, family friction and his pleas for help as an aging man.
Singleton Gardiner was the first person buried at the Cashmere Cemetery in 1834 but there is no stone marking what could be the grave of Thomas Gardiner.
Part 1: Peter McArthur, the hardest question and the “horrible, horrible” war
By Stephanie McDonald, December 2024
It’s a question from a child no parent is equipped to answer: Should I go to war? It was what Daniel, eldest son of Mabel and Peter McArthur, asked of his father in the early years of the First World War.
Even as prolific a writer as Peter McArthur was, one can imagine how the man dubbed the “Sage of Ekfrid” struggled to find the right words to share with his son. His response reveals both his wish for his child to come to his own decision as well as the urge to protect and keep him safe.
Peter penned his answer to Dan’s question in a letter on January 25, 1916, a year and a half into the war:
Near the house there is a sturdy oak tree that I always think of as one of the oldest of my friends. I grew up with it. Of course that is not exactly true, for I stopped growing many years ago, while it kept on growing, and it may keep on growing for centuries to come. But when I was a growing boy it was just the right kind of a tree for me to chum with. It was not too big to climb, and yet it was big enough to take me on its back and carry me into all the dreamlands of childhood.
For over two decades, Ken Willis has dedicated himself to preserving Wardsville’s history, curating a collection donated by residents that tells the story of Wardsville and its people. The Wardsville Museum is a cherished part of our community that houses a collection of artifacts and stories that showcase Wardsville and Mosa’s rich history. The museum depends on community support to preserve its treasures.
Ken Willis, the long-time curator of the Wardsville Museum, shares his personal story and an appeal for support.
Please denote your donation to benefit the Wardsville Museum and a tax receipt will be issued. Every dollar helps preserve Wardsville’s heritage for future generations.
Your support means the world to Ken and the entire Wardsville community. Thank you for helping us keep our history alive!
Ellwyne Ballantyne’s twenty-two years of brief, bright life are summed up on a simple plaque attached to a majestic buttonwood tree in Carruthers Corners. When local author CJ Frederick first saw the memorial tree in the rural area just outside of Glencoe, ON, she experienced a keen reverence. “It’s just a dot on a map. I was not prepared for how beautiful the tree was. It looked like it was wearing a cloak; as my mother says, ‘wrapped in a queen’s robe’. Knowing that this tree was dedicated to the life of someone who had given that life in a faraway, long-ago conflict really made me stop and think about remembrance and the enduring nature of love.” Ballantyne’s story had to be told; Frederick was eager to record it.
Great evening with James Carruthers, the story keeper; CJ Frederick, the story teller and author; and Patrick, the story champion. We packed the Archives and hosted a few people via zoom as well.
Stories ripple all around us, if only we’re willing to hear them. In 2012, CJ first learned of Ellwyne Ballantyne and the astonishing relationship he forged with two strangers after reading a short newspaper article about the dedication of an unusual tree to a long-dead soldier from World War One. With obligations to work and family filling her time, she wasn’t yet ready to hear his story. It took a global pandemic, with the prospect of lockdowns and unexpected forced time at home, to open her ears, mind, and heart and be ready to explore the roots of Ellwyne’s story that took place more than a century before.
By Mary Simpson and Denise Corneil. Featured in the Middlesex Banner.
The Barn Quilt Trail Movement, which started in Ohio, USA, has blossomed into a colorful journey across North America, thanks to the vision and dedication of individuals like Donna Sue Groves, now deceased. Inspired by her love for quilts and barns, Groves initiated the movement in 2001 when she painted the first quilt square on her family’s barn in Adams County, Ohio.
In Canada, the movement found roots in Temiskaming, Ontario, in 2007. Bev Maille, Marg Villneff, and Eleanor Katana spearheaded a project to paint 200 quilt squares, adorning barns and historic landmarks across the region in time for the International Plowing Match 2009. This initiative not only added vibrant colors to the landscape but also attracted tourists and boosted economic development.
Wardsville, Middlesex County, Ontario, joined the trail in 2009 when Denise Corneil’s mother, Eileen, returned from the U.S. with a barn quilt brochure. Denise, along with a team of volunteers, stitched a story quilt commemorating Wardsville’s founders, Mr. and Mrs. George Ward, for the village’s 2010 Bicentennial celebration. This project revitalized the community and became a testament to the power of preserving local heritage.
The movement continued to flourish in Ontario. With support from the Sand Plains Community Development Fund, over 100 quilts were created, each telling stories of settlement, community building, and rural life. Barn quilt trails spread up and down the roads of Middlesex, Elgin, Oxford, Norfolk, and Brant Counties in 2011.
Here in Middlesex, women living along Longwoods Road and the community of Chippewa of the Thames, worked side by side to plan two trails explaining how the War of 1812-1814 affected the lives of women, children, and families. The winter of 1813 was particularly bad.
Trail of Tears- Family. Located in the community of Chippewa of the Thames
The result was the Trail of Tears Barn Quilt Trail, a collection showcased on Chippewa of the Thames locations, and a trail stretching along Longwoods Road from Delaware to Thameville – plus two beautiful quilts and many new and enduring friendships. These trails and many more trails across Canada are curated at barnquilttrails.ca.
In 2013, all major barn quilt trails in Ontario were curated on one website, barnquilttrails.ca, supported by the Ontario Trillium Foundation. This initiative aimed to provide guidance and encouragement to communities starting their own barn quilt projects, ensuring the movement’s sustainability and growth. This website continues to be curated by volunteers and now showcases barn quilts across Canada.
As barn quilt trails spread across Canada, the United States, and around the world, they became more than just colorful displays; they became a way for communities to share their stories and preserve their heritage.
Today, as new projects like those in South Bruce and Osgoode Township emerge, the legacy of the Barn Quilt Trail Movement lives on. Denise Corneil, Wardsville, along with a dedicated team, remains committed to supporting and promoting these initiatives, ensuring that the colorful journey across North America continues to thrive for generations to come.
Some community barn quilt projects start the planning process with a theme and a story quilt. In 2009, Wardsville started up with the War of 1812 theme. Eleanor Blain and Sue Ellis, seasoned quilt makers, devised a plan to engage people of all skill levels in the quilt-making process.
With the assistance of local historian Ken Willis, who provided valuable insights into the Wards’ history, the quilt committee traced the Wards’ journey from establishing a settlement along Longwoods Road to enduring the trials of the Battle of the Longwoods and the ensuing accusations of treason. Thirty quilt blocks were meticulously selected to depict key moments in the Wards’ lives, ensuring that Mrs. Margaret Ward’s contributions were honored too.
The quilt-making process was a labor of love, with countless hours spent selecting fabrics, cutting shapes, and stitching together each block. Ellis and Blain invited community members, both experienced quilters and novices, to lend their hands to the project. The quilt frame at Beattie Haven Retirement Home became a hub of activity as individuals gathered to contribute stitches to the communal creation.
The quilt telling the story of George and Margaret Ward being stitched at Beattie Manor retirement home.
When the George Ward Commemorative Quilt was unveiled at Wardsville United Church in May 2010, it elicited gasps of awe from the crowd. The quilt’s was entered into the Group category at the 2010 International Plowing Match Quilting Competition in Shedden,where it claimed second prize.
Barn quilts are eight-foot square (and larger) painted replicas of actual fabric quilt blocks installed on barns. Barn quilts draw attention to Canada’s disappearing rural landscapes, timber frame barns, and the family farm. Each barn quilt tells a story and draws attention to unmarked historical places.
They can be scattered through the county mounted on beautiful barns (like Huron County), or they can create a themed route, leading visitors from one site to the next.
Tourists are Interested in our local history
With the aging baby boomer cohort, there is a lot of interest in nostalgia and history. There is a growing recognition that tourists are interested in our local history too.
The Canadian federal government is investing in rural and remote tourism. The tourism industry is realizing what barn quilt enthusiasts always knew. Statistics Canada shows that tourism provides billions of dollars in revenue and accounts for 10% of local jobs in rural (non-metro) areas. A federal spokesperson said that “Tourism can diversify and strengthen the economic base and viability as well as safeguard local culture, language and heritage. Businesses benefit from increased income from direct sales of homegrown and locally made products. Visitors want to participate in authentic Indigenous experiences, and 62% of Indigenous tourism businesses are in rural and remote areas.”
Louise Long applies masking tape prior to painting. Three coats. (Photo by Dave Chidley)
And so the barn quilt movement continues to spread. Go to barnquilttrails.ca to find the trails in Middlesex County and southwestern Ontario. Embark on a journey through time and space. This isn’t just tourism; it’s a love letter to the land, a celebration of heritage, and a testament to the power of community.
Presented to the Appin Memorial Day gathering August 1, 2000 by Jim May, whose family had a long association with Appin Cemetery. Jim’s first recollection of the cemetery was a phone call in the early 1950s: “Could my Dad come with his truck to help collect up stones for the cemetery gates?” This presentation tells the history of the Appin Cemetery, Appin, Ontario, Canada
