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DTSTART;VALUE=DATE:20260607
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DTSTAMP:20260612T102724Z
CREATED:20260318T215545Z
LAST-MODIFIED:20260612T102724Z
UID:4005-1780790400-1780876799@glencoehistoricalsociety.ca
SUMMARY:A Review of "Salome Bey & Lawrence Hill: Stories of Excellence" with Denise Pelley
DESCRIPTION:By Mary Simpson \nI was privileged to be in the historic African Methodist Episcopal Church at Fanshawe Pioneer Village last Sunday\, Jun 7\, 2026\, listening to two accomplished artists bring two remarkable Black Canadian lives into the light. Denise Pelley\, accompanied by Stephen Holowitz\, held the fifth event in the Fanshawe Village series—and what an extraordinary homecoming it was. \nNot long ago\, the AME Church stood on Thames Street in London\, largely forgotten. Built around 1848\, it had served London’s Black community as a place of worship\, gathering\, and resistance—a sanctuary for people who had escaped slavery and found freedom in Canada West. The plaque that marks its history tells of John Brown’s rumored visit in 1858\, when the church became a space where conversations about abolition and freedom took form. For over a century after the congregation moved to a larger brick church on Grey Street\, the building was someone’s home. Its original purpose faded from public memory\, buried under layers of wallpaper and time. \nNote the butterfly on the ceiling. It was drawn in to the beauty of the music and fluttered above her for some time.\n \nThen came the Fugitive Slave Chapel Preservation Project—a group of dedicated community members who saw what was at stake. They understood that losing this building meant losing tangible evidence of London’s connection to the Underground Railroad\, to Black self-determination\, to a history that many of us never learned in school. After years of work\, fundraising\, and careful restoration\, the chapel was relocated to Fanshawe Pioneer Village in 2022\, where it was fully restored by June 2023. \n  \nWalking into that building now\, you can see the care that went into bringing it home. The wide-plank hand-hewn horizontal wainscoting that lines the walls speaks of an original open floor plan—a space where community could gather. The accordion lath visible in the corner near the front door tells you something about construction techniques that were common in the mid-1800s. The basement hatch door\, the timber frame\, the cedar siding painted in heritage colours—all of it speaks to authenticity\, to respect\, to refusal to let this building become a museum piece or a relic. It is a living space for gathering\, learning\, and listening. \n  \nDenise Pelley is a musician\, educator\, and storyteller of remarkable depth. She is\, quite simply\, one of the finest artists working in our larger community. She told the stories of Salome Bey and Lawrence Hill—two Black Canadians whose contributions to art\, literature\, and culture deserve to be known far more widely than they are. \n  \nSalome Bey: pioneering blues singer\, songwriter\, performer. “Canada’s First Lady of Blues\,” they called her. Born in Newark\, New Jersey\, the Grammy-nominated singer\, composer\, and actress made Toronto her home in 1964. Bey profoundly shaped Canada’s music and theatre scenes by mentoring young artists and writing critically acclaimed cabaret shows like Indigo.  Living in Toronto in the late 1970s\, I knew the name well but didn’t know much about her.  She was made an honorary member of the Order of Canada in 2005 and was later honoured with a commemorative stamp by Canada Post. Denise says that: “Three of the songs I sang during the Salome presentation were one’s that she recorded. … I’m sure her interpretation showed the deep meaning those songs had.  Actually still have.” \n\n\n\n\n\nThen Denise told us about Lawrence Hill\, (Dan Hill’s brother) the celebrated author of *The Book of Negroes*—a novel that brought the experience of Black Loyalists and freedom seekers into the consciousness of readers across the country. Both artists\, in their own ways\, carried forward the work of bearing witness\, of speaking truth\, of insisting that their stories and the stories of their people matter. \n  \nThe acoustics in the little church are amazing.  She sang\, she spoke\, she invited us into their worlds. And Stephen Holowitz\, accompanied her.  The acoustics in that church honoured  the voices that had filled it nearly two hundred years ago. Beautiful gospel and blues.  It was moving to experience  art\, music\, and historical reflection in a space saved precisely because people understood that it was sacred ground. \n  \nThe Glencoe & District Historical Society contributed $1\,500 toward the preservation of this church.  Lorne Munroe understood that heritage is not something that belongs only to the past. He made the motion and a few of us wondered why we needed to support a London project.  But we passed the motion.  Seeing that church in active use\, full of community members engaged with story and song\, made that investment feel like so much more than money.  \n  \nSeptember 27\, 2026\, the sixth edition focuses on Rose Fortune\, Loyalist and Canada’s first female police officer\, and hockey player\, Herb Carnegie.  Tickets to this 2:00 p.m. performance include admission to the Heritage Village\, which is open from 10:00am – 4:00pm. \nAbout the Location\n Fanshawe Pioneer Village is located within Fanshawe Conservation Area.\n Enter at 1424 Clarke Road (Veterans Memorial Parkway & Clarke Road intersection). \nMore details coming soon—check back here for updates!
URL:https://glencoehistoricalsociety.ca/event/pelley/
LOCATION:Fanshawe Pioneer Village\, 1424 Clarke Road\, London\, Ontario\, N5V 5B9\, Canada
ORGANIZER;CN="Fanshawe Pioneer Village":MAILTO:info@fanshawepioneervillage.ca
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